Door Slams, In comes COMPANY!!!!!!!

Further casting has been announced for the New York Philharmonic's exciting upcoming production of Stephen Sondheim's-George Furth's musical “Company.” In addition to the previous mentioned Emmy Winner Neil Patrick Harris will play Bobby and sing the shows anthem “Being Alive.” and Emmy Nominee, 2 time Tony Award Olivier Award and Grammy Award winning, Broadway star Patti LuPone will play the role of Johanne and get to belt out “The Ladies Who Lunch” and “It's the Little Things You Do Together.” The rest of the ALL Star Cast include 5 Time Emmy Award winning Stephen Colbert as Harry, Emmy & Tony Nominee Martha Plimpton as Sarah, Emmy Award winning John Cryer as David, Tony Winner Anika Noni Rose as Marta, Jim Walton as Larry, 2 time Tony Award Winner Katie Finneran as Amy, Tony Nominee Craig Bierko as Peter, Emmy Award Nominee Christina Hendricks as Aprils, Aaron Lazar as Paul, Jill Paice as Susan , Jennifer Laura Thomas as Jenny, and Chryssie Whitehead as Kathy.

Lonny Price will direct and produce Company, which will be presented April 7-9. Paul Gemignani will conduct the famed orchestra; the concerts will feature the original orchestrations penned by Jonathan Tunick.

Set in New York, Company, according to press notes, follows "five married, once-married, and soon-to-be-married couples and their mutual friend, Robert (Mr. Harris), a bachelor who has been unable to connect in a long-term relationship. The relationships are presented in a series of vignettes, primarily through Robert’s eyes." The show’s songs include “Company,” “Side by Side by Side,” “The Ladies Who Lunch,” “Another Hundred People” and “Being Alive.”

The original production of Company opened on Broadway at the Alvin (now the Neil Simon) Theatre on April 26, 1970. The musical garnered 14 Tony Award nominations (the record until The Producers in 2001), winning six, including Best Musical.

The recent Broadway revival, which starred the Tony-nominated Raul Esparza as the confused bachelor, ended its run at the Ethel Barrymore Theatre July 1, 2007. Company played 34 previews and 247 performances. The revival began previews Oct. 29, 2006, and opened on Nov. 29 at the Barrymore on W. 47th Street. It began at Cincinnati Playhouse in the Park in spring 2006, and commercial producers of Broadway's 2005-06 Sweeney Todd swooped in. This Company won the Tony, Drama Desk, Outer Critics Circle and Drama League Awards for Best Revival of a Musical.

Single tickets for these performances start at $65. All tickets may be purchased online at nyphil.org or by calling (212) 875-5656. Tickets may also be purchased at the Avery Fisher Hall Box Office or the Alice Tully Hall Box Office at Lincoln Center, Broadway at 65th Street.

There's a rumor this is going to be video taped for broadcast on PBS and with a cast like this it wouldn't surprise if they end of doing it. If I'm not being too gready I'd love an audio CD just for LuPone's music alone. I think it's going to be a brilliant production and if this goes well maybe have them look into getting Price and LuPone to record all of Sondheim's shows for special PBS productions. I know it's just a dream but I'd love a video production of the recent revival of “A Little Night Music” where Bernadette Peters could reprise her Desiree and LuPone could come in and film the role of Countess Charlotte Malcolm for Lonny Price and everyone win's. How about a video production of “Anyone Can Whistle” with LuPone as Coora and Audra coming back from Hollywood to play Fay though my dream has always been Sherie Renee Scott in the role.

I think a dream of mine if Lonny Price directing PBS production or direct to DVD of Sondheims woman and having some of the most famous ladies from the Sondheim cannon: LuPone, Peters, Cook, Murphy, McDonald, and then some new faces Sherie Rene Scott, Idina Menzel, Carolee Carmello all doing famous female numbers from his shows.

If he ever reads this I'd love for him to put together a one woman show for both PBS and an audio CD where LuPone can sing 22 or more songs from the Sondheim cannon as the characters exploring the complexities between acting one of his songs and singing his songs. (heck I'd give money....I think it would work)

StevenD

Updates from Everywhere

This weeks Entertainment News or at least in my world and others world the only news that really matters.

Glee had there highly anticipated episode this week “Regionals” where New Directions competed the regionals title against The Warblers and Aural Intensity. This was the first time that “Glee” used original music in the show where Santana sang a jazzy treat called “Trouty Mouth” to Sam that Naya Riveras delivered like a jazz diva while tossing off comedic insults in regards to her boyfriends mouth. Mark Sallings character Puck serenaded his love Lauren with the rockabilly “Big Ass Heart” which I still haven't gotten and Amber Riley went all diva with her take on “Hell to the No.” They all lost the chance to perform of course to Lea Michelle's Rachel who delivered the inspirational ballad “Get it Right,” which in the contact of the show worked the emotional level it needed to along with the summer anthem “Loser Like Me.” The comical songs were funny “Loser Like Me” worked as an anthem kids be running around singing but I thought “Get it Right actually” was a good song and if still that with the Warblers cover of Pink's “Raise Your Glass” they were two best performances of the episode. I was happy in this episode they were finally able to tighten up the story lines that had seemed like they were out of control. I thought the two most perfect scene in this one and should be submitted for Emmy Consideration were the kiss which was handled with so much truth, honesty and beauty how could you not cry over Blaine's line “Kurt, there’s a moment when you say to yourself, ‘Oh, there you are. I’ve been looking for you forever.’” Which is something anyone would love to hear. I also loved the scene between Quinn and Rachel because I felt it was honest. I like Queen, she knows she's superficial but like any complicated character she's fascinating and more more interesting then say Finn who just screams co-dependent.

On American Idol this week blah singer Karen Rodriguez was sent home after looking like a fem bot on Tuesday show and delivering lethargic take on Taylor Daynes “Love Will Lead You Back” which was slightly better then her song from last week. I found her groveling after before the verdict announced tacky and felt with the slight exception of Casey Abrahms weird over the top and what boiled down to a bunch of scream's with bad lighting and then he finishes the song and smiles to the camera!!!!! I also loved how he went on about this is a song for a generation which is true it's just not HIS generation.

My favorites of the night were again Haley Reinhart who's bluesy rock voice was a strong contract to “I'm Your BabyTonight, Lauren Alaina who was ble to find new ways to play around with the melody and deliver a strong belted “I'm the Only One” and Pia Toscano who used her trademark power and gorgeous tone to a “decent” song “Where Do Broken Hearts Go” with a great arrangement. I'm hoping next week we finally ose when of the many men who just need to go home.

Kelly Clarkson was one of the headliners at the Celebrity Fight Night Gala in honor of Muhammad Ali. The current batch of Idol hopefuls were there along with Reba to cheer on Kelly who sang “My Life Would Suck without You”, and an original song she has recorded from her new album written by Eric Hutcninson called “Why Don't You” and there's video that I'm including here hope you like it. In other Kelly news her smash duet with Jason Aldean “Don't you Wanna Stay” is still sitting at #1 on the Country Billboard awards. Which is an amazing feat for Kelly as she is the only Idol contestant to have the most #1 on various charts all over billboard. Here's hoping to some Grammy love for this duet.

Jennifer Hudson “I Remember Me” - I've recently heard the new solo disc and will review it for an upcoming album but I will say this. Jennifer and her vocals are finally getting more and more confident and she's unleashing that power and music is for the better because of it.

Jennifer will be making her Ravinia Festival debut Saturday July 16^th so get your tickets fast. Also of interest at Ravinia this Summer Broadway's Laura Benanti in Bennett-Godon Hall on August 27^th and “An Evening with Mandy Patinkin and Nathan Gunn on August 31 at the Pavillion. I think its odd that they couldn't get LuPone as she's the one who usually tours with Patinkin and performs at Ravinia quite a bit.

In Chicago theater scene Loyola University Theatre Program is opening their production of Stephen Schwartz's classic “Pippin” April 8 though the 17; Thursday – Saturday performances 7:30PM & Sunday 2:00PM at the Kathleen Mullady Theatre located at 115 West Loyola Avenue

A link to their blog is listed below

http://blogs.luc.edu/artsalive/

I have always loved the music to “Pippin” and saw a television production so I'm looking forward to seeing it live.

Thursday I will be attending Drury Lane Oakbrook's production of the Tony Award winning “Aida” and on Friday I'm attending the Chicago premiere of Dixie's Tupperware Party! At the Royal George so those should be blasts

I saw that the Tony Award winning Best Musicals “Spring Awakening” (also known as the show that skyrocketed the careers of Jonathan Groff & Lea Michele) will be returning to Chicago this time at the Oriental Theatre May 3 though the 8^th.

The wonderful Rogers Park storefront theatre company announced their 2011-2012 season and they've given us some delicious treats that aren't often seen around here. The shows for next season are the 1976 Matby & Shire revue “Starting Here, Starting Now” playing in the fall from September 25-November 6. After that the “Pump Boys and Dinettes will be serving you from November 27 though January 1, 2012 (that sounds like a great way to ring in the new year) after that they being ambitious and taking on Adam Guettel's chamber Opera “Light in the Piazza” and then finishing up the season with a Neil Sedaka revue called “Breaking Up Is Hard to Do” sure to include such classics as “The Diary,” “Where the Boys Are,” “Stupid Cupid,” Solitare,” “Love Will Keep Us Together,' “Happy Birthday Sweet Sixteen” along with the title song. If you visit there web site at http://www.theoubique.org/ you can find out additional information.

On Broadway the semi new musical “PRISCILLA, QUEEN OF THE DESERT” opens tonight and I will include some of the reviews in the next column and starting previews is “Wonderland” Jekyll & Hyde's composer Frank Wildhorn the man who believes you can make a musical out of anything, and has tried you should hear the music to his demo to BladeRunner? “Wonderland” reinvents “Alice in Wonderland” for the 21^st Century with Alice being a modern-day Manhattan Mom so this should be interesting. The thing that makes me nervous is that Wildhorn has yet to have a hit show on Broadway “The Civil War,” “Jekyll & Hyde,” “Dracula,” “The Scarlet Pimpernel,” all were flops and “Havana,” Bonnie & Clyde,” and “Gold” were not able to make it to Broadway but I've heard the music to Wonderland and some of it's catchy and Wildhorn is smart enough to write accessible melodys so there's always hope.

Well that's it for now will talk to you guys later,

Smash International Hit "LOVE, LOSS AND WHAT I WORE" is kicking off it's tour in Chicago at the Broadway Playhouse at Water Tower Place

THE INTERNATIONAL HIT IS COMING TO CHICAGO!

Playing at The Broadway Playhouse at Water Tower Place

Beginning September 13, 2011

CHICAGO (March 15, 2011) – Broadway In Chicago is thrilled to announce that the smash international hit of LOVE, LOSS AND WHAT I WORE is kicking off its tour in Chicago at the Broadway Playhouse at Water Tower Place (175 E. Chestnut, Chicago) for six weeks, September 13 - October 23, 2011.

LOVE, LOSS AND WHAT I WORE, with its starry cast and wildly entertaining subject matter, is the toast of New York. This intimate collection of stories by Nora Ephron and Delia Ephron and directed by Karen Carpenter, opened in October, 2009 at New York’s Westside Theatre to rave reviews and has been extended again and again by popular demand. Produced by Daryl Roth, this collection of vignettes and monologues is based on the best-seller by Ilene Beckerman, as well as on the recollections of the Ephrons’ friends. Like the popular book, Love, Loss, And What I Wore uses clothing and accessories and the memories they trigger to tell funny and often poignant stories that all women can relate to.

Producer Daryl Roth says, “We are delighted to launch the national tour of LOVE, LOSS AND WHAT I WORE at the beautiful Broadway Playhouse at Water Tower Place. I look forward to sharing these funny, poignant and heart-warming stories with Chicago area audiences.”

The Associated Press calls LOVE, LOSS AND WHAT I WORE, “Funny and Poignant!” The New York Times says, “A show about matters of the heart and matters of the closet!” Forbes calls the show, “An act of brilliance! A must see!” Bloomberg Radio exclaims, “Nora and Delia Ephron are literary alchemists, expert at mixing the sentimental and the satirical and turning out something poignant!” Syndicated columnist Liz Smith says, “Sweet and Saucy! This is an evening that goes directly to the heart, soul and vanity of every woman, young and old!”

The performance schedule for LOVE, LOSS AND WHAT I WORE is as follows:

Tuesdays at 7:30 p.m.

Wednesdays at 2 p.m. and 7:30 p.m. (No matinee on Sep. 28 and Oct. 12)

Thursdays at 7:30 p.m.

Fridays at 7:30 p.m.

Saturdays at 2 p.m. and 8 p.m.

Sundays at 2 p.m. (There will be a 6 p.m. performance on Sep. 18, 7:30 performances on Oct. 2 and Oct. 16)Please note: Ticket prices and performance schedule are subject to change.

Individual tickets range from $68-$78. A select number of premium seats are also available for each performance. Tickets are available now for groups of 15 or more by calling Broadway In Chicago Group Sales at (312) 977-1710. LOVE, LOSS AND WHAT I WORE will be a part of the 2011 Season Subscription Series. Individual tickets will go on sale at a later date.

For more information, visit www.BroadwayInChicago.com.

Working Extended by Popular Demand

WORKING GOES INTO OVERTIME

WORKING AT BROADWAY PLAYHOUSE

EXTENDED BY POPULAR DEMAND

THROUGH JUNE 5, 2011

WORKING Launches Union Member Discount

CHICAGO (March 16, 2011) – Having received unanimous rave reviews and nightly accolades from delighted audiences, Broadway In Chicago and the producers of WORKING are thrilled to announce a four-week extension through June 5, 2011 at the Broadway Playhouse at Water Tower Place (175 E. Chestnut St., Chicago).

The Chicago Tribune’s Chris Jones calls WORKING, “REMARKABLE! Moving and fresh! Knock out young performers! A rich and accomplished ensemble paying homage to Chicago workers.” Chicago Sun-Times’ Hedy Weiss raves, “Highly recommended! Superb! Ingenious! Winningly re-imagined!” Comcast Network host Paul Lisnek exclaims, “WORKING will make you proud to be a Chicagoan; the show has heart, warmth and depth!”

WORKING is a vital new musical based on the book by Pulitzer Prize-winning author and Chicago’s own Studs Terkel. Adapted by Stephen Schwartz (WICKED, PIPPIN and GODSPELL) from the original adaptation by Stephen Schwartz and Nina Faso, WORKING is the working man’s A CHORUS LINE. A musical exploration of 26 people from all walks of life, with songs by all-star composers Craig Carnelia, Micki Grant, Tony Award™ winning Lin-Manuel Miranda, Mary Rodgers, Susan Birkenhead, Stephen Schwartz and Grammy Award™ winning James Taylor. WORKING celebrates everyday people in a genuinely funny and touching way. Portrayed by some of Chicago’s brightest stars including E. Faye Butler, Barbara Robertson, Gene Weygandt, Emjoy Gavino, Michael Mahler and Gabriel Ruiz, WORKING fills you with hope and inspiration and is the perfect musical for everyone who has ever worked a day in their lives.

WORKING, a show that asks workers what they do and how they feel about what they do, has developed a new program in honor of the union employees. WORKING is pleased to offer 20% off tickets to all union members for Tuesday, Wednesday and Thursday evening performances through June 5, 2011. When ordering at the box office, patrons must present their union card and for those ordering online, patrons must present their union card at the theater but can use code UNION when ordering online or over the phone.

Produced by Jed Bernstein, Dianne Fraser and Sheila Simon Geltzer, WORKING is directed by Gordon Greenberg, with Scenic Design by Beowulf Boritt.
The WORKING performance schedule is as follows:

Tuesdays at 7:30 p.m.

Wednesdays at 2 p.m. and 7:30 p.m.

Thursdays at 7:30 p.m.

Fridays at 8 p.m.

Saturdays at 2 p.m. and 8 p.m.

Sundays at 2 p.m.

Performance schedule is subject to change.

Individual tickets for WORKING are $67.50 - $77.50. A select number of premium seats are also available. Tickets are available at all Broadway In Chicago Box Offices (24 W. Randolph St., 151 W. Randolph St., 18 W. Monroe St. and 175 E. Chestnut St.), the Broadway In Chicago Ticket Kiosk at Water Tower Place (845 N. Michigan Ave.), the Broadway In Chicago Ticket Line at (800) 775‐2000, all Ticketmaster retail locations (including Hot Tix and select Carson Pirie Scott, Coconuts and fye stores), and online at www.BroadwayInChicago.com. For groups of 15 or more, call (312) 977‐1710.

Return to the Blog!!!!

Sorry I really haven't been around in a while, to say that I've had a lot on my plate is a HUGE understatement. However I am back and ready to post a lot more then I have, “which if I give two posts a week I've already accomplished my goal”; but it's about aiming higher then just that!

I wanted to take this column and comment on a few things I've missed and apologize for being late with this information. Here we go with some thoughts and news.

Glee (Episode Sexy)

In this weeks episode super popular character Holly Holiday, everytime I hear that name I can't get out of my head “Holly Holiday, are you a porn star or a drag queen!” Holly played with super smart Goop Gwyneth Paltrow. I call her super smart because in this past year it feels like she was able to turn her image from California Ice Goddess to one of my friends. This week she became a friend I'd call back after a few weeks. In “Sexy” it felt like she was brought back as stunt casting as opposed to just coming on the show and being charming, sweet, and sexy. Which were three things she was in the previous episode. I found her “Do You (Want to Touch Me)” a little weird with the entire playing with the students. Her and Matthew Morrison's duet of “Kiss” was good but the use of the tango made me think “Rent” and “Evita.” I did love her and Naya Rivers cover on the Dixie Chicks version of “Landslide.” Yes, I know it's Stevie Nicks however the arrangement of the song sounded identical to the Chick's Blue Grass feel of it, regardless it's still my personal favorite song. I also quite enjoyed Emma and the celibacy club cover of “Afternoon Delight.” To be honest I had never heard the song before but after listening to the Six Flags take of the song besides “Landslide” it's a song I can' t get out of my head. It's infectious without needing penicillin or a free clinic.

American Idol

This past week on Idol felt like it went on longer then my life. When they got to the Thirteenth constant, sorry number 36^th only due because the 13^th number in that order brings you to a porn line. Which probably would have been more entertaining then Wednesdays show. Seriously, these kids need to step out of their comfort zones and pick songs that are both popular and they can make fresh. Not songs that are either unknown or so over done we're going to compare them to others. I found the best of the night being Pia Toscano sounding lovely with a belt I like, though looking a little “Jersey Shore,” Naima Adedapo who vocally wasn't anything to right home came across contemporary, which is more then can be said for a lot of others. I also liked Haley Reinhart, Scott McCreey, and Lauren Alaina. I'm kind of hoping that Seth Rogen, Casey Abrahms and Thia Megia leave sooner then later.

Kelly Clarkson

As anyone who knows me or has read this blog knows that I'm a Huge Kelly Clarkson fan. She has an expressive voice with an amazing belt to it and I love someone who's not afraid to unleash their belt. Well, our little Kelly has finally finished recording her 5^th studio album and I recently found out two of the first singles that are being planned are called “The War is Over (You Don't Deserve Me)” and “Dumb + Dumb = You.” Not sure about the last title but this is the girl who was able to sell a song titled “My Life Would Suck Without You” so she could make it work. Kelly has written and recorded various songs for this album with the titles “Break the Silence,” “The Sun will Rise,” and “You Love Me” and recorded with well know producers and writers Howard Benson, Toby Gad, Wayne Hector, Eric Hutchinson, Rodney Jenkins, and Kyle Jacobs. I've heard one of the songs from the disc “You Still Won't know What it's Like,” which she performed at a benefit and I posted that earlier and loved the vocal and emotion she brought to it so I can't wait to find out the release date for this.

On the Theater news:

Hollis Resnik

One of Chicago's leading ladies recently received two Helen Hayes Award Nominations for her work in Washington D.C. productions' of “A Light in the Piazza” and “Candide”. I recently received word from a friend that starting March 18 and running through April 10 Hollis will be playing Fraulein Schneider in a production of Cabaret at Kansas City Repertory. Hollis won a Joseph Jefferson Award for a production of “And the World Goes Round” at the old Appletree Theater so she has experience performing Kander & Ebb's music and has delivered a strong German accent in the past.

Susan Moniz

Another of Chicago's favorite Divas Susan Moniz is currently tackling a powerfully dramatic role in Provision Theater's production of William Nicholson's Tony Award winning “Shadowlands” in the role of Joy. I've heard from friends who have seen this and say she is simply breathtaking which since I've followed her career all the way from Romance Romance at the Appletree Theater doesn't surprise me. The Show is playing till March 20^th so you still have some time and tickets atr $25-28, $10 industry and plays Fridays & Saturdays at 8 and Sundays at 3pm. Information can be found at 312-455-0065 or by going to the theater's website at www.provisiontheater.org, I'm not sure if I'm going to get a chance to see this but I'm sure hoping as this is one of my favorite plays and Ms. Moniz has been nothing but a dream performer.

Which got me to thinking I really miss the 2nd City Divas CD's that came out in the 90's and a few if the solo CD's the great ladies of Chicago have put out. I still treasure Hollis Resnik, and Kathy Taylors CD's and have looked for Cory Goodrich and Roberta Duchak's solo CD's. I wish that the Chicago Arts scene would start investing some money in recording solo CD's for some of these performers both male but at least for me the females. I and I know others who would be first in line for a Hollis Resnik's "My Favorite Roles," or Susan Moniz sings "The Songs that Made Me. I've thought even if they could record a few songs and put them on their sites for people to purchase at a $1.29 then that save cost in CD booklets and others. Heck if they need someone to do their cover art I'd be glad to give it a hand. If Broadway Actress Donna Lynn Champlin can put out a professional CD that she blogged about costing $1000 dollars and she recorded in her bathroom it doesn't seem like there are a lot of excuses anymore.

Sutton Foster

Currently in previews for the Broadway revival of “Anything Goes” she releases another solo CD this Tuesday on the sh-k-boom label. “An Evening with Sutton Foster Live at the Cafe Carlyle” features the newish diva belting to her heat's and our cores featuring such diverse tracks as “I'm Beginning to See the Light,” “Up on the Roof,” “Down with Love,” “Defying Gravity,” and a can't wait to be heard version of “And I'm Telling You I'm Not Going”.

Speaking of Sh-k-Boom/Ghostlight label is also releasing in the coming months a solo album from “The 25^th Annual Putnam County Spelling Bee's Lisa Howard titled “Songs of Innocence & Experience” and based on the musical of William Finn. They're also releasing the Original Broadway Cast Recordings for “Catch Me If You Can” and “Women on the Verge of a Nervous Breakdown” along with the Original London Cast of “Sister Act.”

Kathy Griffin

Soon to be opening her one woman show on Broadway "Kathy Griffin Wants a Tony" I found online her stage bio which has to be one of the funniest things I have ever read. I'm printing it below for you to laugh out loud. Ms. Griffin has said that she would love to host the Tonys and even though I can already hear the the jokes about Gays and who she plans on pissing off I think they would be crazy not to get her.

"Kathy Griffin is thrilled to be performing at the storied and absolutely haunted Belasco Theatre, where she has already told legendary stage impresario David Belasco's ghost, in no uncertain terms, to "Suck it." Ms. Griffin is especially excited to be reprising the role of Kathy Griffin after spending four years as Kathie Lee Gifford in a touring company of Ms. Gifford’s one-woman musical jamboree, Jesus Is My Homeboy. Born in Madagascar, raised in Rangoon (that’s for you, Streisand-obsessed gays), Ms. Griffin made her stage debut at the age of nine in a Griffin family kitchen production of Boys in the Band, where Ms. Griffin played seven gay men simultaneously. Can you say foreshadowing? Broadway: Speed-the-Plow (with Jeremy Piven, Sushi Taster no. 4); Macbeth (Macbeth's wisecracking red-headed sidekick); Les Misérables (Jean Valjean's funny flame-haired henchwoman); The Iceman Cometh (Iceman's sharp-tongued best friend); Neil LaBute's I Hate You But I Won't Say It Till It Can Do the Most Damage (Dead Whore); Cats (Fierce-y Tattletail MacHairBall); Sweeney Todd (Pie Eater No. 3); Chicago (Mrs. Cellophane); Your Arms Too Short to Box With God: A Soaring Celebration in Song and Dance (God's Fight Promoter); Spider-Man Turn Off the Dark (Head Stuntwoman, fired). Off-Broadway: Mark Twain Tonight! (Understudy); Stamp (the sister production to Stomp, but about stamp collecting); How Do I Get to Broadway? Off-Off-Broadway: Live! Live! Girls! Girls! Sex! Sex! (still running). Television: the double-Emmy-winning "Kathy Griffin: My Life on the D-List" (series regular); "Law & Order: SVU" (no, really, this isn't a Playbill joke, I'm like a real New York actor!); "Suddenly Susan" (not Brooke Shields); "Seinfeld" (not Julia Louis-Dreyfus); "Curb Your Enthusiasm" (not Larry David); "Glee" (another Emmy please); CNN "New Year's Eve With Anderson Cooper and Kathy Griffin" (Gloria Vanderbilt's best friend); more stand-up comedy specials than any other comedian EVER, including four in 2011 alone; "ER"; "The X-Files"; "The Simpsons"; "Ugly Betty"; "American Dad." Ms. Griffin has also hosted countless awards shows. Look, just type "comedy legend" into your search engine and her picture will come up, probably sixth or seventh. Talk show bannings: "Oprah," "The View," "Live with Regis & Kelly," "Ellen," "Maury Povich Baby Daddy Specials," "The 700 Club," "NewsHour with Jim Lehrer." Celebrity Feuds: Oprah, Ryan Seacrest, Bill O'Reilly, any and all Palins and Angela Lansbury (she knows what she did). Film: Pulp Fiction; Four Rooms; It's Pat; Gandhi (Gandhi's wacky girlfriend); Saving Private Ryan; Cold Mountain; Crouching Tiger, Hidden Dragon; Can’t Stop the Music; Can’t Stop the Music 2: Turn It Up; Can't Stop the Music 3: Okay, Now That's Just Too Loud; The Remains of the Day; Tyler Perry's Diary of a Mad White Woman; Black Swan; The King’s Speech; The Social Network. Awards: Ms. Griffin has received two Emmy awards, having been nominated seven times. She has also received three Grammy nominations, the GLAAD Vanguard Award, the Trevor Project’s Lifetime Honoree Award, the Human Rights Campaign's Ally for Equality Award, a 2007 GAYVN Award (aka gay porn), the key to Louisville and the 2011 Tony Award (fingers crossed!). Ms. Griffin is also the author of the #1 New York Times bestseller Official Book Club Selection: "A Memoir According to Kathy Griffin." She lives in Los Angeles, but loves New York, and would like to thank her dogs PomPom Griffin and Larry Griffin-Arquette, as well as her loving fiancee Kelsey Grammar. However, Ms. Griffin's most cherished production is that of her four children: Apple, Moses, Willow and Jaden. Without their strength and love and support, she would not be able to continue to tell dick jokes for the best audience in the world (that's you, people!). She would also like to thank God, and remind everyone how closely she follows Biblical scripture: "Behold I will corrupt your seed, and spread dung upon your faces." (Malachi 2:3)

Spider-Man Turn Off the Dark

The show that seems to have everything going for it has just annouced their third delay, cost over 65 million dollars, pissed off the critics with their date changes that they ended up buying tickets to the show anyway and reviewed it. The Director and Writer Julie Taymor is a lot more talented then this crud has been let go and Bono and The Edge will finally do some work on the score which I've heard is boring and flat. They also got rid of the number where the Queen Spiders and her chorus of little Spiders stop at Macey's to buy Shoes. I'm not kidding.

Well that's all the news for now.

Marriott presents 42nd Street

Terry James, Executive Producer

Andy Hite, Lead Artistic Director

Aaron Thielen, Artistic Director

Presents

Come and Meet Those Dancing Feet!

Lincolnshire, IL - The song and tap extravaganza 42^nd STREET previews March 30^th, opens April 10^th and runs through May 29^th at the Marriott Theatre, 10 Marriott Drive, Lincolnshire, IL. The Broadway production of 42^nd STREET won the Tony Award for Best Musical and Choreography in 1980, and Best Revival in 2001. The Marriott Theatre’s production will feature Direction and Musical Staging by 2010 Jeff Award winner Rachel Rockwell, Choreography by 2010 Jeff Award winner Tammy Mader, with Musical Direction by multi-Jeff Award winner Doug Peck.

One of the longest running musicals in Broadway history, 42^nd STREET is based on Busby Berkeley’s 1933 movie that saved Warner Brothers studios from bankruptcy. Set during the Depression in New York, and considered the quintessential backstage musical, 42^nd STREET tells the story of a starry-eyed young actress named Peggy Sawyer who leaves her Allentown home for a chance to audition for the new Julian Marsh musical about to open on Broadway. While she can't seem to stay in the good graces of the show's aging leading lady, Dorothy Brock, Peggy soon catches the eye of the well-known leading man Billy… and the famous director. On opening night, Ms. Brock breaks her ankle and panic spreads through the company as the show is doomed… until it is suggested that the recently fired Peggy take over the role. In only 36 hours, a star is born! With a book by Michael Stewart and Mark Bramble, music by Harry Warren and lyrics by Al Dubin, the memorable score includes We're in the Money, You're Getting to be a Habit With Me, Lullaby of Broadway, and of course, 42^nd Street.

42^nd STREET stars Broadway veteran Tom Galantich as Julian Marsh. Among his many credits, Galantich has been seen on Broadway in INTO THE WOODS, CITY OF ANGELS, THE BOYS FROM SYRACUSE, MAMA MIA!, DIRTY ROTTEN SCOUNDRELS, and BOEING, BOEING. He has also been seen in the major motion picture Julia and Julia. He is a graduate of Northwestern University and earned his Actors’ Equity card at the Marriott Theatre. Kaitlyn Davidson makes her Marriott Theatre debut as Peggy Sawyer. She was most recently seen as Judy in WHITE CHRISTMAS with the Pioneer Theatre Company after appearing in the Actors’ Fund production of THEY’RE PLAYING OUR SONG with Sutton Foster. She originated several roles in the World Premiere of the musical JOHNNY BASEBALL at the American Repertory Theatre.

42^nd STREET also features Drew Humphrey as Billy Lawlor, Cathy Lord as Dorothy Brock, Andrew Lupp as Andy Lee, Nancy Voigts as Maggie Jones, Michael Weber as Bert Barry, Roger Mueller as Abner Dillon, Adam Pelty as Pat Denning, Ericka Mac as Annie, Dina DiCostanzo as Lorraine, Johanna McKenzie Miller as Gladys and ensemble members Gary Carlson, Matthew Crowle, Jenny Guse, Patrick Keefe, Ashton Napier, Katie Patton, Matt Raftery, Steven Spanopoulos, Richard Strimer, Tiffany Topol, Melissa Zaremba.

Lead Artistic Director Andy Hite heads the Artistic Team for 42^nd STREET with Musical Direction by Doug Peck. Set Design is by Tom Ryan, Costume Design by Nancy Missimi, Lighting Design by Jesse Klug, Sound Design by Bob Gilmartin and Props Design by Sally Weiss. Patti Garwood conducts the Marriott Theatre Orchestra.

The performance schedule is Wednesdays at 1:00 p.m. and 8:00pm, Thursdays and Fridays at 8:00 p.m., Saturdays at 4:30 p.m. and 8:00 p.m., and Sundays at 1:00pm and 5:00 p.m. Ticket prices range from $41 to $49, plus tax and handling fees. Seniors and Students receive $5.00 off a full price theatre ticket on Wednesday 1:00pm, Saturday at 4:30 p.m. and Sundays at 1:00pm and 5:00pm. On Wednesday and Thursday evenings a limited number of Dinner and Theatre tickets are available for only $55.00 per person plus handling fees. Dinner is at King’s Wharf Restaurant or the Fairfield Inn (based on dining availability). Free parking is available at all performances. To reserve tickets with a major credit card, call the Marriott Theatre Box Office at 847.634.0200 or www.Ticketmaster.com. Visit www.MarriottTheatre.com for more information.

Drury Lane Oakbrook presents AIDA

Kyle DeSantis, Producer; Drew DeSantis, Producer; Jason Van Lente, Producer;

Abbie DeSantis, Producer

& William Osetek, Artistic Director

Presents the

Epic Tony Award-Winning Masterpiece

Directed and Choreographed by Jeff Award Winner Jim Corti

Oakbrook Terrace, IL- Drury Lane Theatre presents the Tony Award-winning international hit musical AIDA, Directed and Choreographed by Jeff Award winner Jim Corti (Sweet Charity, Meet Me in St. Louis, Cabaret, and Sugar.) Featuring a dynamic cast led by Stephanie Umoh as "Aida" ("Sarah" in the 2009 Broadway production of Ragtime) and Jared Zirilli as "Radames" (first National Tour of Wicked), AIDA previews March 17, opens March 24 and runs through May 29 at Drury Lane Theatre, 100 Drury Lane.

AIDA is a stirring tale of conflicting loyalties and star-crossed lovers inspired by Giuseppe Verdi's 19^{th century Italian opera with the same name. The sensational pop-rock score by Elton John and Tim Rice (The Lion King) includes musical influences ranging from African to Middle Eastern to Indian. AIDA made its Broadway Premiere at the Palace Theatre in 2000, where it ran for 1,852 performances and has since been translated into 14 languages and seen around the world. The production won four Tony Awards in 2000, including Best Original Score, as well as a Grammy Award for Best Musical Show Album for Elton John and Tim Rice’s AIDA: Original Broadway Cast Recording.}

Egypt has enslaved Nubia and the great power's prince, Radames, is engaged to be married when Aida, the princess of Nubia, comes to the palace as a slave. Forbidden love blossoms between them and the young lovers are forced to face death or part forever. The couple’s devotion ultimately transcends the vast cultural differences between their warring nations, heralding a time of peace and prosperity. This mesmerizing tale of the power of love and destiny features stunning choreography by Corti. Musical Director Ben Johnson breathes new life into a score complete with Motown, pop, reggae, gospel and tribal elements. The AIDA set is a brilliant combination of ancient and modern themes, including a massive plexiglass pyramid by New York City-based Set and Projections Designer Jim Dardenne (Radio City Music Hall, 25 world premiere productions.) Dardenne has created serene watercolor projections that evoke timeless images including lush Nile River scenery and breathtaking desert landscapes. Vibrant lighting by Jeff Award winner Jesse Klug transports audiences to the majestic world of ancient Egypt. Costume Designer Melissa Torchia puts a fashion-forward spin on historical pieces to create ethereal costumes and gorgeous natural stone and metal jewelry. The artistic team also includes Sean Kelly (Assistant Director), Monique Haley (Associate Choreographer), Tom Rapley (Associate Choreographer), Cecil Averett (Sound Designer), and Meredith Miller (Props Designer.)

AIDA stars Nicholas Foster as "Pharaoh" (Jeff Award Winner for Actor in a Principal Role-Musical or Revue for Parade, Sweet Charity at Drury Lane Theatre); James Earl Jones II as "Mereb" (Spamalot and Ragtime at Drury Lane Theatre); Donica Lynn as "Nehebka" (Once On This Island at Marriott Theatre); Darren Matthias as "Zoser" (Shakespeare Theatre Company); Erin Mosher as "Amneris" (first National Tour of 101 Dalmatians and Mamma Mia! in Las Vegas); Bruce Young as "Amonasro"; Stephanie Umoh as "Aida" (2009 Broadway production of Ragtime and Tin Pan Alley Rag at the Roundabout Theatre Company); and Jared Zirilli as "Radames" (first National Tour of Wicked, Equity Regional Premiere of Rent, Altar Boyz Premiere in Washington, D.C.) The production also features Melanie Brezill, Karen Burthwright, Stephane Duret, Michael Glazer, Monique Haley, Pia Hamilton, Pegah Kadkhodaian, Jarret Kelly, Adriana Parson, Todd Rhoades, Jaquez A. Sims, Brandon Springman, Eleho Temuru, Grant Thomas, Peter Vandivier, and Natalie Williams.

Jim Corti returns to Drury Lane Theatre after directing last season's Sugar and receiving Jeff nominations for Drury Lane Theatre’s Cabaret and Oh Coward! at Writers' Theatre. He received a 2008 Jeff Award for directing Sweet Charity and a nomination for Meet Me in St. Louis the same year. He also received the Jeff Award for his choreography in Drury Lane Theatre’s Singin' in the Rain and directed and choreographed The Full Monty, the inaugural production at Drury Lane Theatre Water Tower Place in 2005. For Victory Gardens, Corti directed Lonnie Carter's The Lost Boys of Sudan, Michael Smith's The Snow Queen at The Biograph, and Doug Post's God and Country at The Greenhouse. He has served productions at Steppenwolf, The Second City, Chicago Shakespeare, The Goodman, Marriott Theatre (Jeff Award for his role in Grand Hotel) and Northlight (Jeff Award for directing Blues in the Night). A veteran Broadway actor, he appeared in the New York casts of Ragtime, A Chorus Line and Candide and the national tours of Urinetown, Cabaret and Bob Fosse's Dancin'. At The American Theatre Company, he is choreographing The Original Grease with director PJ Paparelli and author Jim Jacobs. Corti is the newly appointed artistic director of The Paramount Theatre in Aurora, inaugurating its first Broadway subscription series this fall.

The performance schedule for AIDA is as follows: Wednesdays at 1:30 p.m. ($35), Thursdays at 1:30 p.m. ($35) and 8 p.m. ($40), Fridays at 8:30 p.m. ($45), Saturdays at 5 p.m. ($45) and 8:30 p.m. ($46) and Sundays at 2:00 p.m. ($45) and 6 p.m. ($40). Lunch and dinner theater packages range from $49.75 to $68 depending on the day of the week. Student tickets start as low as $20 and Senior Citizen tickets start as low as $29 for matinees and $43.75 for a matinee luncheon package. For reservations, call the Drury Lane Theatre box office at 630.530.0111, call TicketMaster at 800.745.3000, or visit ^{www.drurylaneoakbrook.com.}

Porchlight presents MEET JOHN DOE

PORCHLIGHT MUSIC THEATRE PRESENTS THE

REGIONAL PREMIERE OF THE AWARD-WINNING AMERICAN MUSICAL

FROM MARCH 4 THROUGH APRIL 17

Chicago, IL - Porchlight Music Theatre will present the highly anticipated Midwest Premiere of the new musical MEET JOHN DOE, based on the film of the same name by Frank Capra, previewing March 4, opening Tuesday, March 8^th at 7:30 p.m., and running through April 17, 2011 at Stage 773, 1225 W. Belmont, Chicago. The production is Directed and Choreographed by James Beaudry, Artistic Director at Timber Lake Playhouse.

MEET JOHN DOE had its workshop premiere at the New York Music Theater Festival (NYMF) in 2004 and was selected as part of the National Alliance for Musical Theatre convention in 2005. In 2006 it was presented in a limited production at the Goodspeed Opera House. In 2007, MEET JOHN DOE made its world premiere at the Ford's Theatre in Washington, D.C., where it was nominated for seven Helen Hayes Awards. The production features music by Andrew Gerle and lyrics by Eddie Sugarman with additional story by Matt August. Gerle and Sugarman also co-wrote the production’s book. The pair won a 2006 Jonathan Larson Award for MEET JOHN DOE and Gerle is creating new orchestrations specifically for the Porchlight Music Theatre production.

The New York Post said that MEET JOHN DOE is “Irresistibly catchy…sparkles with wit and irony….success is written all over it!” Theatermania.com raved, “A smart and feisty show wrapped in a big Broadway sound!” The Examiner called it “One of the best new musicals in years” and the Washington Post enthused “A promising American musical isn’t born every minute….filled with clever lyrics and supple melodies.”

Based on the classic 1941 film starring Gary Cooper and Barbara Stanwyck, MEET JOHN DOE follows plucky journalist Ann Mitchell, who loses her job in the middle of the Great Depression. Ann prints a phony letter from a "John Doe" who, protesting the state of society, promises to jump off the Brooklyn Bridge on Christmas Eve. Circulation goes through the roof and she convinces her editor to hire an out-of-work ballplayer, John Willoughby, to stand in while she ghost-writes the "John Doe" column. With her words and his down-home charm, John Doe quickly becomes a national sensation. As Ann, John and "John" tour the country, and when the paper's powerful owner reveals his true plans for John Doe, both Ann and John must confront the hoax they've created and decide what is best for their country.

Andrew Gerle (Music and Co-Bookwriter) is a three-time recipient of the Richard Rodgers Award for musical theater writing, administered by Stephen Sondheim and the American Academy of Arts and Letters, for The Tutor (book and lyrics by Maryrose Wood.) He received the first Burton Lane Fellowship for Young Composers from the Theater Songwriters’ Hall of Fame and has recently been collaborating with librettist Royce Vavrek on new works for The New Ensemble Theater Company, as well as an opera, The Beach, which was selected for New York City Opera’s 2011 VOX reading series. His play Renovations was recently included in The Blank Theater’s Living Room Reading Series in Los Angeles, and will be premiered in 2011 at the White Plains (NY) Performing Arts Center. He has been a Fellow at the MacDowell Artists’ Colony and a writer-in-residence at the Sundance Theater Institute at Ucross and the Eugene O'Neill Musical Theatre Conference. As a musical director, he has worked on dozens of Off-Broadway, regional and touring productions. He has served as musical director and accompanist for such distinguished artists as Kitty Carlisle Hart, John Raitt, Jennifer Holliday, Leslie Uggams, Liz Callaway, Mary Testa and Michael Rupert. A CD of his jazz arrangements of the songs of Maltby & Shire with vocalist Christa Justus was released in 2010 under the PS Classics Label. His book, The Enraged Accompanist’s Guide to the Perfect Audition, will be published this March by Hal Leonard (Applause Books.) He is on the faculty of Yale University, where he teaches musical theater songwriting.

Eddie Sugarman (Lyricist and Co-Bookwriter) is Managing Director of the Jedlicka Performing Arts Center in Cicero, Illinois. After graduating from the University of Michigan with a BFA in Musical Theatre, he went on to perform in regional theatre and in New York City for about a decade, where he appeared on Broadway in the original cast of the Tony Award-winning musical Ragtime. His holiday musical The Nutcracker Sings, had its premiere at the Jedlicka Performing Arts Center and is currently booking multiple productions for Christmas 2011. He has won the ASCAPlus Award and a grant from the National Alliance for Musical Theatre, and has had the honor of serving on the Musical Theatre Panel for the National Endowment for the Arts.

James Beaudry (Director and Choreographer) serves as Artistic Director at Timber Lake Playhouse. His directing and choreography credits include the world premieres of Jason & Ben (NYMF) and Mark Twain's Blues (Off-Broadway.) He has staged over 50 productions working with companies as diverse as The Lee Strasberg Theatre & Film Institute, Tada! Youth Theatre, New York Musical Theatre Festival, Downtown Cabaret Theatre and The Guggenheim Museum. Musical credits include Chicago, Cats, West Side Story, Into The Woods, Pippin, The Wiz, Curtains, Hair, Urinetown, Oklahoma!, The Best Little Whorehouse in Texas, Bat Boy, White Christmas, Godspell, Fame, Footloose, Thoroughly Modern Millie, Dirty Rotten Scoundrels and 42nd Street. Original dance works include Rite of Spring-- Left of Center, Rodgers & Hammerstein's Xenophobia! and Eleanor Rigby Died in a Church.

MEET JOHN DOE features an all-star cast including Sean Effinger-Dean as Beany, Karl Hamilton as John Doe, Elizabeth Lanza as Ann, Rus Rainear as The Colonel, Jim Sherman as Connell, and Mick Weber as Norton. The production also stars Eli Branson as Bert, Harmony France as Eileen, Elizabeth Gray as Peggy, Kelly Hackett as Betty, Elizabeth Haley as Helen, Matthew Keffer as Ted, Travis Porchia as Henry, Pavi Proczko as Bill, and Michael Reyes as Alexander. Musical direction is by Eugene Dizon, Lighting Design is by Mac Vaughey, Costume Design is by Elizabeth Wislar, and Set Design is by Ian Zywica.

About Porchlight Music Theatre

Porchlight Music Theatre is Chicago’s music theatre leader; producing award-winning interpretations of classic musicals and cutting-edge new works on intimate stages. The company is recognized for providing nurture and challenge for stars-in-the-making as well as veteran performers. The company has staged 37 shows including four world premieres, among them, The Teapot Scandals, its first work developed through Off the Porch, Porchlight’s new works program, as well as seven Chicago premieres. An Equity theater since 2004, the company has already received a total of 33 Joseph Jefferson Award nominations resulting in 11 Jeff Awards.

Porchlight Music Theatre is partially supported by generous contributions from the A.R.T League, the Arts Work Fund at the Chicago Community Trust, a City Arts Program 2 Grant from the Chicago Department of Cultural Affairs, the Elizabeth F. Cheney Foundation, the Shen Family Foundation, the Gaylord & Dorothy Donnelley Foundation, the Illinois Arts Council (a state agency), the MacArthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, the National Association of Realtors, Peoples Energy and The Saints.

Ticket Information

MEET JOHN DOE begins previews March 4 and runs through April 17, 2011. The Press Opening is Tuesday, March 8 at 7:30 p.m. The performances are Fridays and Saturdays at 8 p.m., and Sundays at 2:30 p.m. Single tickets are $38.00, and discounts for seniors, students and groups are available. Tickets may be purchased through the Stage 773 box office at 773.327.5252 or at www.stage773.com. Group Sales Discounts are available through www.GroupTheaterTix.com or at 866.809.3075.

Steppenwolf Theatre Presents THE HOT L BALTIMORE

Steppenwolf Theatre Presents

The Hot L Baltimore

By Lanford Wilson

Directed by ensemble member Tina Landau

Featuring ensemble members Alana Arenas, Kate Arrington,

Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan

with de’Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton,

Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams

March 24 - May 29, 2011

CHICAGO (February 28, 2011) – Steppenwolf Theatre Company continues its 2010-2011 season with The Hot L Baltimore by Lanford Wilson, directed by ensemble member Tina Landau. The production features ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de’Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams. The Hot L Baltimore plays March 24 – May 29, 2011 in Steppenwolf’s Downstairs Theatre, 1650 N. Halsted St. The press performances are Saturday, April 2 at 3 pm and Tuesday, April 5 at 7:30 pm.

The Hotel Baltimore used to be the swankiest place in town—now it has a date with the wrecking ball. Eviction notices just went out to its residents, who live on the fringes of society and call the seedy hotel home. This acclaimed play from the author of Balm in Gilead is filled with everyday humanity—unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.

Steppenwolf’s defining 1980 production of Lanford Wilson’s Balm in Gilead later transferred Off-Broadway. Other plays by the Pulitzer Prize winner seen at Steppenwolf include The Fifth of July, Home Free, his translation of Three Sisters (1985) and Burn This. Tina Landau’s Steppenwolf directing credits include The Brother/Sister Plays, Superior Donuts by ensemble member Tracy Letts (also on Broadway), The Tempest, The Diary of Anne Frank, Cherry Orchard, The Time of Your Life, The Berlin Circle and her own play, Space.

Steppenwolf’s 2010-2011 season explores the theme of public/private self—five stories that examine how the public and private aspects of our lives unfold in an increasingly complex world.

The production team for The Hot L Baltimore includes: James Schuette (scenic design), Ana Kuzmanic (costume design), Scott Zielinski (lighting design) and Rob Milburn & Michael Bodeen (sound design) and Mike Tutaj (video designer). Additional credits include: Erica Daniels (casting), Deb Styer (stage manager) and Rose Marie Packer assistant stage manager)

Title: The Hot L Baltimore

Playwright: Lanford Wilson

Director: Ensemble member Tina Landau

Featuring: Ensemble members Alana Arenas (Jackie), Kate Arrington (Suzy), Jon Michael Hill (Bill Lewis), James Vincent Meredith (Mr. Katz), Yasen Peyankov (Mr. Morse) and Molly Regan (Millie) with de’Adre Aziza (April), Jeremy Glickstein (John/Taxi Driver/Delivery Boy), Sean Allan Krill (The Man), TaRon Patton (Mrs. Oxenham), Namir Smallwood (Jamie), Samuel Taylor (Paul Granger III), Allison Torem (The Girl) and Jacqueline Williams (Mrs. Bellotti).

Location: Steppenwolf Downstairs Theatre, 1650 N. Halsted St.

Dates: Previews: March 24 – April 2, 2011

Press performances: Saturday, April 2 at 3 pm and Tuesday, April 5 at 7:30 pm

Opening: Sunday, April 3 at 6 pm

Regular Run: April 5– May 29, 2011

Curtain Times: Tuesdays through Sundays at 7:30 pm

(Sunday evening performances through May 8 only)

Saturday and Sunday matinees at 3 pm

Wednesday matinees on May 11, 18 & 25 at 2 pm

Note: There is no 7:30 pm performance on Tuesday, March 29; there is no 3 pm performance on Sunday, April 3; the evening performance on Sunday April 3 begins at 6 pm; there is no 3 pm or 7:30 pm performance on Saturday, May 7.

Ticket prices: Previews: $20-$50

Regular Run: $20-$73

20 for $20: Twenty $20 tickets are available at Audience Services beginning at 11 am on the day of each performance (1 pm for Sunday performances).

Rush Tickets: Half-price rush tickets are available one hour before each show. Student Discounts: $15 student tickets are available online using promo code: “HOTL15” (Limit 2 tickets. Must present a valid student ID for each ticket). For additional student discounts, visit www.steppenwolf.org/students.

Audience Services: 1650 N. Halsted St., 312-335-1650

Online ticketing available at www.steppenwolf.org.

Accessible Performances:

Sign language-interpreted performance: Sunday, May 1 at 7:30 pm

Audio described performance: Thursday, April 21 at 7:30 pm

Audio described performance with touch tour: Sunday, May 29: 1:30 pm touch tour/3 pm curtain

Wine Tasting

Wednesday, April 13 at 6 pm in the Balcony Lobby.

Join us for hilarious, true stories, inspired by The Hot L Baltimore from 2^nd Story storytellers with DJ White Russian, delicious wine, food and a ticket to the performance. Tickets cost $55 and are available by contacting Audience Services at (312) 335-1650 (use code 7452).

Free post-show discussions, sponsored by AT&T, are offered after every performance.

Corporate support for The Hot L Baltimore is provided by Allstate Insurance Company, American Express and PEAK6 Investments.

Steppenwolf is located near all forms of public transportation and is wheelchair accessible. Street and lot parking are available. Assistive listening devices and large print programs are available for every performance.

Steppenwolf Theatre Company, Chicago, IL (Martha Lavey, Artistic Director; David Hawkanson, Executive Director) is one of the nation’s leading ensemble theatres, producing up to 16 productions each year in its three Chicago theater spaces – including programming dedicated to the development of new plays and theatre for young adults. Steppenwolf’s productions have enjoyed success both nationally and internationally, including off-Broadway, Broadway, London, Sydney and Dublin. Formed in 1976 by a collective of actors, Steppenwolf has grown into an ensemble of 43 actors, writers and directors. For additional information, visit www.steppenwolf.org, www.facebook.com/SteppenwolfTheatre and www.twitter.com/SteppenwolfThtr.

Back to Before

I apologize to everyone that has missed me and my columns for all these past weeks that I have not been able to attend to the blog. I've had several health issues that needed to be taken care of immediately before I could go back and post on a frequent basis. Luckily everything is almost done and I can start posting and reviewing shows more frequently then I have lately. Until then I will post press releases,' entertainment article and my thoughts on certain theater and other forms of entertainment for everyone to read.

StevenD